Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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CARPIONI, Giulio
Liriope Bringing Narcissus before Tiresias

ID: 73586

CARPIONI, Giulio Liriope Bringing Narcissus before Tiresias
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CARPIONI, Giulio Liriope Bringing Narcissus before Tiresias


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CARPIONI, Giulio

Italian painter, Venetian school (1613-1674)  Related Paintings of CARPIONI, Giulio :. | Liriope Bringing Narcissus before Tiresias | Crucifixion fdg | Liriope Bringing Narcissus before Tiresias | Giulio Apollo and Marsyas | Crucifixion |
Related Artists:
Karl Blechen
German Romantic, 1798-1840 sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures. Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy
BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
charles de brosses
(1709-77). President of the Parlement de Dijon, friend of the philosophes, and in Diderot's words ??une petite t??te gaie, ironique et satiriquee. His learned publications include important work on the origins of language (Traite de la formation m??canique des langues, 1765) and on primitive religion (Du culte des dieux fetiches, 1760). His Lettres familieres crites d Italie en 1739 et 1740, published posthumously in 1799 and much loved by Stendhal, offer a model of personal travel writing, in which detailed accounts of art works and monuments, not always complimentary, or a careful description of Vesuvius, addressed to Buffon, are interspersed with sprightly, enthusiastic accounts of the peculiarities and the aesthetic and sensual pleasures of life in Italy.






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